I was surprised to see this thriller of 30,000 feet get the amount of critical love that it has. Granted, it has only a 60% on RottenTomates, but hey!, that’s actually certified as “fresh!” I guess we aren’t tired of Liam Neeson action vehicles just yet.
Non-Stop opens up with Neeson staring contemplatively at an airport drinking from a whiskey bottle. Right away we get a glimpse of Neeson’s character Bill Marks: he’s a man with a heavy and hurt past and a dismal future. Marks is an air marshal charged with the task of escorting a flight from NYC to London. With only a few brief encounters, he’s on the plane sitting next to a nervous passenger, Jen Summers (Julianne Moore). Marks is a maverick in his own right, smoking and drinking in the lavatory after taping up the smoke detectors. He gets a text from an unknown number through the private plane network which says unless 150 million dollars isn’t deposited into a bank account, someone on the flight will die every 20 minutes.
What follows is a top of the line thriller. The danger is immediate and the time limit between deaths serves as dramatic tension. Yet with this 20 minute device, the story is episodic. It has stop and go tendencies which is ironic seeing that the title is Non-Stop. Despite that, every episode had me holding my breath.
I’d be lying to you if I said I wasn’t fooled. That’s part my fault (for actually trying to be smarter than the movie) but also the movie’s. If you’re going to give me a mystery give me the breadcrumbs to follow. This was a dire mistake in last year’s Now You See Me. Although, Non-Stop isn’t as egregious or offensive, I felt a little cheated. Oh well.
Neeson plays his same grizzled lawman with determination. Which is what we are now expecting every time we see him in a new release, right? I didn’t notice any other performance as being misplaced or confusing. Much of the cast were unknowns except for the newly Oscar award winning actress Lupita Nyong’0 who only plays the smallest of roles. This is a strength of the film, having so many unknowns doesn’t make draw any of our eyes any which way. Anyone could be the hijacker.
Jaume Collet-Serra take the director’s chair in this only having directed Leeson’s past feature Unknown and a couple little horror features like Orphan and House of Wax. I’m not going to say he did a “bad job.” But much of what he did didn’t let me focus on the action on the screen. In some sequences, he was movement-happy with the camera. Text messages in the form of super-imposed images floated across the screen. This wasn’t a bad thing to do; it helped heighten the tension, but I feel like it could have been used in a less jarring way.
All around, Non-Stop was a highly-effective thriller which kept me on the edge of my seat. Well-paced, the acting delivered and the script didn’t have much fat on it to be trimmed. But, it won’t change the way you see cinema or move you in a life-changing way. Which is okay.
Did you get to see it? Was it more than “Taken on a Plane?” Let me know!
Next up: Need for Speed or Veronica Mars or The Grand Budapest Hotel.