Hayao Miyazaki has made a name for himself with his masterful and imaginative animated movies beginning with 1986’s Castle in the Sky, even up to winning Best Animated Feature in 2002 with Spirited Away. Although I’ve only seen those mentioned (I plan to see most if not all) I know what makes a Miyazaki film: grace, gorgeous animation, remarkable storytelling and endearing characters.
Miyazaki’s possible final film is no exception.
The Wind Rises is about dreams. We are introduced to a “Japanese boy” named Jiro (Joseph Gord0n-Levitt) whose literal and figurative dream is to design the most gorgeous and best functional airplanes anyone has ever seen. He’s visited by an eccentric Italian mentor, Caproni (Stanley Tucci), periodically in his dreams to drive Jiro’s ambitions and give him inspiration to continue. While traveling back to school an earthquake hits which allows teenage Jiro and a small child, Nahoko (Emily Blunt), to connect through Jiro’s kindness for her guardian. That outgoing gesture paves the way for their relationship down the road.
The plot bounces back and forth with Jiro’s pursuits of inspiration, ingenuity and work with his boss Kurokawa (Martin Short) to his relationships with his friend and peer, Honjo (John Kraskinski). This formula works well with the movie as to not full mix up the focus of each scene, even though characters may become intertwined every once and awhile.
Not only is the story basic enough to follow, it’s also relate-able on all fronts. It speaks to a generation of dreamers with passions of changing the status-quo, raising the bar of excellence and to pursue the inner passion despite the failures that come before you. It also speaks of true love. Not the flittering feelings that comes from a puppy-dog. But a love of support. You’ll feel connected to these characters. Invested in them.
Yet it’s not just the incredible storytelling that The Wind Rises has going for it. Its beautiful animation draws you into the scene. Honestly, there was no bad shot in the entire movie. Each one is carefully framed and expertly colored.
To complement the scenery, the sound design was unorthodox as it was a character of its own. Some sounds felt like they were coming from a folly artist’s mouth, which I have no doubt they did. But the background noises and the subjective noises were perfect in that it envelops your senses. Along with the sound, the score was magical in its own right. There were several styles which changed in different scenarios. When Jiro was in Tokyo, there was a relaxing blend of Japanese and Italian inspired background scores. And when an airplane lifted off, a classic symphony accompanied to help give flight that wonder back to us.
Miyazaki has had an amazing career. One that is comparable to Walt Disney. He has created these livable worlds and populated them with kinetic energy and character who we can’t help but love. I plan on watching all of Studio Ghibli’s films with anticipation. Thank you Miyazaki and enjoy your much earned retirement.
Seriously, if you have the chance, please experience this movie in theaters. If I had seen it before my Top 10 of 2013 List, it definitely would have made it. Life.
What are your favorite Miyazaki pictures? I’m planning on seeing My Neighbor Totoro and Howl’s Moving Castle next. What others should I see?
Thanks for reading.
Next up: (Possibly) The Grand Budapest Hotel.